May 2018

Renowned folksinger Eliza Gilkyson will release her 20th album, SECULARIA,on July 13 via Red House Records. Gilkyson’s music, in the classic folk music tradition, has always offered a vivid reflection of the times we live in with each song a window into a world of struggle and beauty in a culture she feels is “caught somewhere between collapse and reinvention.”  The follow-up to her GRAMMY-nominated 2014 release, The Nocturne Diaries,SECULARIA is a collection of spiritually charged songs that do not fit within the parameters of traditional religious beliefs, challenging us to embrace a more inclusive perspective, to respect all life and to be accountable for our actions in these divisive times. The album features a stunning performance with the internationally acclaimed Tosca String Quartet, (David Byrne, Bob Schneider), vocal cameos by Shawn Colvin and gospel singer Sam Butler,and a duet with her friend, the late Jimmy LaFave,as well as two songs adapted from poetry written by her grandmother, Phoebe Hunter Gilkyson,co-written with Eliza’s father, folksinger Terry Gilkyson. Recorded with what she calls a “spare urban folk approach,” the album features songs of grief, gratitude and wonder.  As always, she’s assembled a group of some of Austin’s finest players to back her in the studio: Chris Maresh (Eric Johnson), Warren Hood, Kym Warner (The Green Cards), Andre Moran, Mike Hardwick (Jon Dee Graham, Charlie Sexton), Betty Soo and more. The concept that evolved into SECULARIA has been percolating for years. Gilkyson is a daughter of the feminist movement and the project is equally inspired by the writings of the movement’s early pioneers and today’s #metoo movement.  Feminist pioneer Mary Daly wrote in 1973, “If God is male, then male is God. The divine patriarch castrates women as long as he is allowed to live on in the human imagination.” Like many women living in 21st century America, Gilkyson is questioning the patriarchy that has for so many centuries fundamentally shaped society. “How much of my life has been built around the gender roles assumed in the God-as-Man theology?” Gilkyson writes. “How did that primal patriarchal assumption play out in my search for self-awareness, love, and acceptance in my personal life and ultimately in my music?  How has it played out in the degradation of the natural world, the ever-present wars, violence against women, human suffering, the potential end of everything? These songs were directly inspired by a new way of understanding myself as a woman in the context of a culture going through a massive overhaul.” “Solitary Singer,” the opening track, features lyrics by Phoebe Gilkyson and music by Eliza’s father, Terry Gilkyson. The song became the title of a weekly folk-music themed radio show he hosted in the late 40’s for the Armed Forces Radio Network. “The song bears witness to the profound harmony of the natural world, the antithesis of music tied to an industry, and the foundation upon which I was raised,” Gilkyson says. The second track, “Lifelines,”celebrates the coming together of like-minded people after the last US presidential election. “I became acutely aware of a network of individuals all over the world who were mourning, processing and ultimately gearing up to fight back with all their hearts and souls, like lifelines of light connecting to me and to each other, comforting then and even more so today,” Gilkyson says. Other songs explore the overarching theme of a “new spirituality” that is evolving outside of traditional religious structures, including Eliza’s moving current take on the traditional gospel tune“Down By the Riverside”sung with her longtime friend, the late Austin artist Jimmy LaFave, that was recorded just a few months before his passing, as well as a duet with Shawn Colvin on the song, “Conservation,”with lyrics and music adapted by Eliza from another of her grandmother’s poems. “The fall from grace and redemption of the soul in these songs are less about a deity or afterlife, or a heaven and hell than they are about the very human story of losing and finding oneself within the span of a lifetime, which is all I know for certain that I’ve got. Woody Guthrie said, ‘My religion is so big no matter what you do you’re in it and no matter what you do you can’t get out of it…’ Gilkyson says. “He also said, ‘Earth is God’s everything.’ He conveyed all that depth in just 29 little words.” Eliza Gilkyson is a two-time GRAMMY-nominated (2006/2015) singer-songwriter and activist who is one of the most respected musicians in folk, roots and Americana circles. Her songs have been covered byJoan Baez, Bob Geldof, Tom Rush and Rosanne Cash and have appeared in films, PBS specials and on prime-time TV.  A member of theAustin Music Hall of Fame and Austin Songwriter Hall of Fame, she has won countless Folk Alliance and Austin Music awards, including 2014’s Songwriter of the Year.  She’ll be announcing North American tour dates soon, both a a solo artist and with Three Women and the Truth (Eliza, Mary Gauthier and Gretchen Peters); go to http://elizagilkyson.com for updates.

The beckon call of live music, complimentary Jack Daniel’s and an immersive multisensory experience will entice Waterloo Station travellers to delay their evening commutes and take a brief holiday in Tennessee at a special exhibit entitled “The Sights & Sounds of Tennessee” from 4th-17th June 2018. The exhibit is part of a month-long campaign featuring the Tennessee destinations of Nashville, Memphis and Knoxville that follows British Airways’ introduction of its five-days-per-week nonstop service from London Heathrow to Nashville, the capital city and centre to the state. The Sounds of Tennessee exhibit at Waterloo and digital boards throughout London are to feature custom Spotify playlists that will serve as a formal invitation to British holidaymakers to visit Tennessee, one of the world’s top travel destinations for music lovers. A special kick-off event, featuring Nashville recording artist Gill Landry, formerly of Old Crow Medicine Show, and AMA UK Artist of the Year Yola Carter, will take place at the exhibit on Monday, 4 June from 2 p.m. and include remarks by a Tennessee Department of Tourist Development representative. Tennessee, located in the Southeastern United States, is the birthplace of seven different forms of popular music—blues, bluegrass, country, gospel, soul, rockabilly, and rock ‘n’ roll—and has more musicians per capita than any other place in the world. Tennessee is also home to world-renowned music attractions including Beale Street, Bijou Theatre, Bluebird Cafe, Blues Hall of Fame, Country Music Hall of Fame and Museum, Graceland, Grand Ole Opry, Sun Studio, Ryman Auditorium and Tennessee Theatre. ‘Sights & Sounds of Tennessee’ visitors will stand atop a map of Tennessee and use headphones to listen to music recordings and other sounds one can only experience in Tennessee. Corresponding websites, accessible via mobile devices, enable visitors to virtually transport themselves to Tennessee destinations with 360-degree videos including a scenic vista overlooking the Great Smoky Mountains or one of the many blues clubs lining Memphis’ famous Beale Street. Live music concerts will be held at the exhibit weekdays from 2 – 4pm, featuring music curated by the UK Americana Music Association (AMA UK) performed by some of the genre’s top artists, followed by a Jack Daniel’s Happy Hour from 4 – 6pm. Scheduled artists include: Kashena Sampson, 5 June Robert Vincent, 6 June Danni Nicholls, 7 June The Luck, 8 June Bennett Wilson Poole, 11 June Jake Morrell, 12 June Worry Dolls, 13 June Rob Heron, 14 June Martin Harley, 15 June “The UK is home to the world’s greatest travellers, many of whom have been coming to Tennessee for years to experience The Soundtrack of America and enjoy our southern hospitality, great cities, rich history and beautiful outdoors,” said Kevin Triplett, Commissioner of the Tennessee Department of Tourist Development. “The new nonstop service aboard British Airways makes reaching Tennessee easier than ever, and we look forward to welcoming even more of our friends from across the Atlantic in the years to come.” On 4th May, the first new LHR – BNA flight (British Airways Flight 223; a Boeing 787-7 Dreamliner carrying 200 passengers) left London’s Heathrow Airport (LHR) at 1545 local time and touched down at Nashville International Airport (BNA) eight-and-a-half hours later, initiating a five-days-a-week nonstop service from the United Kingdom to Tennessee’s capital city. ‘The Sights & Sounds of Tennessee’ exhibit is a joint effort led by the Tennessee Department of Tourist Development, working in partnership with BrandUSA, the Nashville Convention & Visitors Corp., Memphis Convention & Visitors Bureau and Knoxville Convention & Visitors Bureau, to formerly introduce Tennessee to Londoners through an interactive sight and sound experience in London’s Waterloo Station. For more information please visit: www.tnvacation.com.

Singer-songwriter Joshua Burnside follows up his Northern Ireland Music Prize winning debut album Ephrata, with a brand new EP entitled All Round The Light Said, due out on 29 June via Quiet Arch. Weaving elements of Irish traditional and European folk music with hints of Americana, he creates songs that are understated yet passionate and heartfelt. The EP features four new songs. In lead-single “A Man Of High Renown”, he blends a joyous waltz complete with air organs and accordions with often violent and disturbing imagery, dealing with the shame of sins committed in childhood; “where the dusty garage floor, along your soft skin tore.” “Rearranged” has a more straightforward message. A self-confessed technophobe, Burnside deals with the effect of the Internet and social media on mental health in this simple finger-picked ballad recorded at home in Rostrevor. In “Northern Winds” the full band is recruited to recreate one of Burnside’s most energetic and popular tracks. Recorded on analogue at Analogue Catalogue studios in Rathriland, Co.Down the song borrows imagery from Oscar Wilde, layering multiple vocal lines continuously and repetitively to hypnotic effect. “Paul” is a return to the electronic experimentation of earlier works, sampling noises from the kitchen for percussion that click and crunch above a harp, distorted organs and vocoder. A multi-instrumentalist, Burnside plays most of the instruments on the album but was also joined by a number of collaborators and producers with whom he’s worked with over the past few years, most of whom have their own solo projects. These include his brother Connor on drums and percussions, Clark Phillips on bass andSarah Martin on trumpet. Following the release of Ephrata Joshua Burnside has had a busy year clocking up four million plays on Spotify, with two sell out London shows, appearances at International festivals including Reeperbahn and The Great Escape. He has also had extensive radio play and support from the likes of Guy Garvey, Tom Robinson, Tom Ravenscroft, Lauren Laverne, Huw Stephens and Phil Taggart. Joshua performed at theAtlantic Sessions in Portstewart, as well as the music trail for Other Voices in Dingle in December. He took his band to Austin, Texas to perform at SXSW where he was chosen by NPR as one of the festival highlights – “Burnside’s sound surges with real force… an intoxicating bundle of frayed nerves and woozy intensity.” Always inspired by his travels around the world, where Ephrata was inspired by a stint in South America, he went to Indonesia in December 2017 to start work on recording his second full-length studio album, due out later in the year.