February 2018

KBA 2018

British owners of unique record label honoured by top US music heritage organisation

The Blues Foundation, the guardians of the heritage of American Blues music, has honoured a British couple with its prestigious Keeping the Blues Alive award. The award is for “individuals and organisations that have made significant contributions to the Blues world.”   Recipients Gary and Gillian Atkinson own the independent roots music label Document Records, which is known for specialising in the issue and reissue of early recordings of American Blues, Gospel, Spirituals, Jazz, and early Country music, covering the complete recorded works of artists, presented in chronological order. Document Records earliest recordings date back to Spirituals recorded in the late 1800s. Document Records reputedly has the largest catalogue of its kind in the world.   With roots stars such as Son House, Mamie Smith, ‘Ma’ Rainey, Big Bill Broonzy, Arthur ‘Big Boy’ Crudup, and Muddy Waters to their name, the Atkinsons have also found their services to music honoured by such contemporary stars as Bill Wyman (Rolling Stones) and John Mayall in the UK and Paul Simon, Jack White and Pearl Jam in the US.   For Maverick readers, there is additional interest as Document Records is working on publishing more of its significant collection of early Country (‘Old Timey’) music. To find out more about Document Records, please visit their website: https://thedocumentrecordsstore.com/

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Chris Antonik

Chris Antonik: 'Monarch' tour 2018: The “Future of the Blues” comes to the UK 6th- 15th April 2018

“The Canadian Gary Clark Jr… this is how modern blues should sound.” (Concert Monkey) Celebrated Toronto-based blues-rock guitarist, singer and songwriter Chris Antonik’s upcoming ‘Monarch’ UK tour follows hot on the heels of his latest album ‘Monarch’. Monarch, which was nominated in Canada’s prestigious 2018 Maple Blues Awards (Recording/Producer of the Year; Songwriter of the Year), confirmed Chris as one of the country’s top performers, alongside artists such as Matt Andersen, Steve Hill, and Colin James. Chris, already named ‘The Future of the Blues’ by Canada’s Blues Underground Network,  has been compared to Eric Clapton for his stunning guitar work and innovative, sensitive songwriting. His second album, ‘Better For You’ (2013), was described as “a masterpiece,” “the best Canadian blues-rock album of 2013,” and “the sound of someone taking the blues to a new place.”   Chris has already toured the UK, headlining the Upton Blues Festival in 2016, and has performed at major blues festivals across Canada and the US. He has toured the US extensively, including performances at Buddy Guy’s Legends in Chicago (for the 2015 Buddy Guy’s Legends Blues Festival), and Biscuits & Blues in San Francisco. Catch him as he tours the UK in April.   Website: www.chrisantonik.com   Tour dates:   Friday 6th April – The Old Fire Station, Carlisle, Cumbria   Saturday 7th April – Ripley Town Hall, Ripley, Derbyshire   Sunday 8th April – Ain’t Nothing But Blues Bar, London   Tuesday 10th April – The Wrotham Arms, Broadstairs, Kent   Wednesday 11th April – Worthing Pier, Southern Pavillion, Worthing, West Sussex   Thursday 12th April – The Troubadour, London   Friday 13th April – Globe At Hay, Hay On Wye, Cwmbran, Wales   Saturday 14th April – Borough Blues Club, Cwmbran, Wales   Sunday 15th April – O2 Academy Sheffield Sheffield, Yorkshire, HRH Blues

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IFMA-FMC-Facebook

Awards Show hosted by Ruthie Foster begins 30th conference by Folk Alliance International

Folk Alliance International (FAI) kicked off its 30th Annual Conference with the International Folk Music Awards Show held for the first time at Kansas City’s historic Folly Theater. The awards show, which included a live-streamed broadcast and was presented in partnership with Folk Music Canada, opened with a ceremonial land acknowledgement by Ed Smith, a leader from the Osage Nation. The evening included celebratory reflections from FAI Executive Director Aengus Finnan, and the screening of a new 30-year retrospective short film about the organisation’s history. Three-time Grammy Award nominee Ruthie Foster emceed the evening, which featured performances by Guy Davis, Giri and Uma Peters, Anais Mitchell, and The Staley Falcon Chorale. The evening ended with a full-cast finale performance of “Goodnight Irene” with the full audience singing along. The People’s Voice Award went to Bonnie Raitt and The Spirit of Folk Awards went to Kristian Blak, Richard Gillmann, Martyn Joseph, Anaïs Mitchell, Betse Siggins. Special guest presenters during the evening included acclaimed artist John Oates, who presented the People’s Voice award, and the legendary Kingston Trio, who presented the memorial Lifetime Achievement Award to the late Richie Havens. Throughout the evening, awards were presented for Lifetime Achievement, Spirit of Folk, and member-voted ‘Best of 2017’ (including Album, Song, and Artist of the Year). In a permanent commitment to honor the socially conscious roots of folk music, the People’s Voice and the Clearwater Awards were also awarded. Three inductions were made into the Folk DJ Hall of Fame. Album of the Year went to Freedom Highway by Rhiannon Giddens; Song of the Year was awarded to “You Didn’t Call My Name” from Molly Tuttle, while Artist of the Year was awarded to Ordinary Elephant. Folk Alliance International (FAI) is a registered nonprofit based in Kansas City, Missouri. Founded in 1989, FAI is an advocacy, professional development, and networking organisation that produces the world’s largest conference of the folk music community and industry. Finalists for the 2017 Album, Song and Artist of the Year awards are based on U.S., Canadian, and International industry year-end lists as well as Folk DJ airplay. Winners are determined by the voting membership of Folk Alliance International and the results are announced annually. The Clearwater Award was awarded to Winnipeg Folk Festival and Lifetime Achievement Awards were given to Peter, Paul and Mary (Living), Richie Havens (Legacy), Elektra Records (Business/Academic).

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Vince Gill and Lyle Lovett

Vince Gill tries to ease tensions over gender inequality

Vince Gill has defended the Recording Academy after it was criticised for underrepresenting female artists at this year’s Grammy Awards. “I look at it kind of trying to see the whole field, you know. And I think the Grammys will go on and the country artists will feel slighted. Or maybe the classical people will feel slighted,” Gill said. “It’s impossible to pull something off like that and not leave a few people by the wayside.” The country star spoke out before a benefit concert for the Country Music Hall of Fame in New York. Sat with Emmylou Harris and Maren Morris before the concert began, the 21-time Grammy winner said all that matters is that people are “conscious of what’s great at the end of the day.” He continued, “You’re looking at three really open-minded musical people. We don’t care about genres, of color of skin, or gender, or anything. We just love playing music with great people and that’s all. Morris emohasised this view, adding, “I think the person that’s won the most Grammys is Alison Krauss so I don’t know. I mean, there’s obviously some things that need to be looked at, I think, and maybe it’s just voting members…” Krauss is tied for second place with Quincy Jones for the most Grammy wins, with Hungarian composer Georg Sorti holding the current record with 31 wins. Harris acknowledged that she was aware of the problems facing women in the industry, but excluded being ever treated inappropriately. “I haven’t run into a lot of the problems that I know are out there. But my path has been pretty unfettered with those kinds of things”, she claimed. Recording Academy CEO Neil Portnow recently stated that women need to “step up” when asked about the lack of female winners backstage. He later said he misspoke.

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Mic

Charley Crockett’s new album soon for release

Texan singer-songwriter Charley Crockett is set to release Lonesome As A Shadow, his new album on Thirty Tigers on April 20th. The album, a follow-up to 2017’s collection of favourite honky-tonk songs, Charley Crockett presents Lil G.L.’s Honky Tonk Jubilee, features twelve timeless originals that run the gamut from old-time Cajun, southern blues, honky-tonk, through to glorious blue-eyed country soul.  It’s an album that will undoubtedly underline  Crockett’s reputation as one of America’s distinctive roots talents. The first single, ‘Lil’ Girl’s Name’ will be released on March 2nd. Growing up with a single mother in San Benito, Texas, the hometown of Tejano star Freddy Fender was not easy for Charley Crockett. Hitchhiking across the country exposed Crockett to the street life at a young age, following in the footsteps of his relative, American folk hero Davy Crockett, who also lived a wild life on the American frontier. After train hopping across the country, singing on the streets for change in New Orleans’ French Quarter, busking in New York City and performing across Texas and Northern California, Crockett set off to travel the world and lived on the streets of Paris for nearly a year before searching for home in Spain, Morocco, and Northern Africa. Crockett returned home to Texas and released his debut solo album titled A Stolen Jewel in 2015, receiving critical acclaim in Dallas and ultimately landing him a Dallas Observer Music Award that year for “Best Blues Act”. A record “rich with Southern flavour, a musical gumbo of Delta blues, honky-tonk, gospel and Cajun jazz,” Jewel proved that Crockett, born into poverty in the Rio Grande, had come home to make his musical mark on the South. Crockett, who is self-described as elusive, rebellious and self-taught, has been compared to legends like Bill Withers, Merle Haggard, and Gary Clark Jr. He released his sophomore record In The Night, an admirable nod to his Texas country and Louisiana blues roots, in 2016 and played over 125 shows that year. “In the Night” and Crockett’s song “I Am Not Afraid” received international recognition from top tastemakers after being picked by NPR Music as one of the “Top 10 Songs Public Radio Can’t Stop Playing” and selected by David Dye to be featured on World Cafe in late July. The Fort Worth Star-Telegram called it “an impressive calling card, full of Crockett’s plaintive soulfulness and swinging tempos” and Central Track noted the artist as having “the well-rounded songwriting capabilities of Van Morrison and a vocal approach that finds common ground between Bill Withers and early Dr. John.” Crockett graced the cover of Buddy Magazine in May 2016, who called him “the archetype of the new American vagabond.” Crockett returned to Austin, Texas to record Charley Crockett presents Lil G.L.’s Honky Tonk Jubilee which was his first release under his new label deal with Thirty Tigers.  The album featured songs originally performed by Hank Williams, Ernest Tubbs, Loretta Lynn, Tanya Tucker, Roy Acuff, Webb Pierce, and other great heroes of honky tonk. “Playing on the streets of New Orleans I heard traditional Jazz, Blues and Country all day long. Young folks were playing it everywhere. Especially the travellers. New York, Nashville, Texas, the Colorado Rockies, California.” Crockett said. “ I love this music. It’s the blues and it feels good to sing. A lot of folks are imitating this sound and for good reason. It’s the American struggle. It has the kind of soul that’s hard to find nowadays and all I know is you gotta get a lot of mud on you before you can make folks believe you when you sing these songs. You just can’t fake it. I’ve lived these songs, I wanted to walk alongside and pay my respects to the artists and songwriters who went through so much to give us this music we still know and love today.” He has shared the stage with artists like Justin Townes Earle, Turnpike Troubadours, Leon Bridges, Lucero, Citizen Cope, Alejandro Escovedo, Joe Ely, Sean Hayes, Tab Benoit and many others.   Crockett is in the UK this month and March supporting JD McPherson, including a show at London’s o2 Shepherd’s Bush Empire on March 2nd.   FEBRUARY 23 Norwich Arts Centre – Norwich, UK 25 Saint Luke’s – Glasgow, UK 26 Brudenell Social Club – Leeds, UK 27 Gorilla – Manchester, UK 28 Hare & Hounds – Birmingham, UK MARCH 02 O2 Shepherd’s Bush Empire  – London, UK

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Jacob Bryant

Jacob Bryant's "Pour Whiskey On My Grave" Video Views Pass THREE MILLION Mark

Jacob Bryant’s powerful companion video to his current single, “Pour Whiskey On My Grave,” has garnered over THREE MILLION views, and generated more than 90,000 shares from his Facebook page. Released to his fans on February 2 exclusively on the social media platform, the clip can now also be viewed on YouTube, where clicks continue to rise. A fatalistic, spit-in-your-face look at death, the opening overhead shots of bikers riding a lonesome two-lane highway spins the story up.  From bar to barnyard, Bryant’s lanky presence is front and center; captivating and cajoling.  Shot entirely in black and white, the piece is arresting – filled with a crash and burn energy.  As Jacob says, “We live and we die; death is very black and white.  And I wanted that reflected in the visuals.”  Filmed near Jacob’s hometown of Jasper, Georgia, characters include a bad-a** preacher, loose women and drinking buddies, all portrayed by Bryant’s real-life friends and family members in all their outlaw glory.  Chris St. Croix (commercials for Vizio, Wall Street Journal, Yazoo Beer; short films Dirty Little Secrets, Last Words, and full-length feature In the Dark) directed.   The track’s Southern Rock feel is solidified by a hard-charging lead guitar, thundering drums and Bryant’s earthy, emotive voice.  Produced by Jesse Triplett, lead guitar player for multi-platinum Alt. Rockers Collective Soul, “Pour Whiskey On My Grave” is the second single release from Jacob’s upcoming summer album.  The single is available to radio via Play MPE and fans can purchase at  iTunes , Amazon, Google Play  and Spotify.  For Bryant, cutting the song was a given.  “I first heard it played by Jami Grooms, one of the writers,” Jacob recalls. “It was crazy.  It put me so back in to a place in my mind – and it was so real.”  Bryant’s mother passed away unexpectedly in 2010, and he visits her grave several times a year, always with a few beers in hand.  “This song makes me feel real close to her,” he adds.   To celebrate the early success of the single/video, Jacob will perform his first full-band show in Nashville at the famed EXIT/IN on February 28.  Additional shows include dates in Georgia, Florida, South Carolina and Alabama.  Check Bryant’s website for more details.   Born in Jasper, Georgia and raised on Bluegrass, Jacob’s first performance came at the age of 16.  Fast forward to 2016 and his EP, UP IN SMOKE and its debuted at #7 on the iTunes Country Chart.  The video for A Woman’s Touch debuted at # 1 on CMT Music 12 Pack Countdown – and stayed in the Top 5 for 17 weeks. He’s shared the stage with Craig Morgan, Eli Young Band, Easton Corbin, Gene Watson, David Allan Coe, Drivin’ & Cryin’, Kentucky Headhunters, Daryle Singletary, Luke Combs, Jason Michael Carroll, Brent Cobb, Love & Theft, Trent Tomlinson, Cody Johnson, Aaron Watson and others.  Jacob’s musical influences include Keith Whitley, Travis Tritt, 3 Doors Down and Lynyrd Skynyrd, and their inspiration is evident throughout his songs.  He co-wrote “Out There” with Luke Combs and the track is included on Combs’ gold album, THIS ONE’S FOR YOU.  Jacob’s also written with Jon Lawhon of the Rock band, Black Stone Cherry, and many others.  In addition to guitar, he plays drums, bass and piano.  Jacob has released five EPs; his upcoming release will be his first full-length album.

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G 7th Heritage

G7th Heritage Capo – tradition and innovation in harmony

The Heritage is a traditional yoke-style capo with a big difference – aside from its stunning appearance, the Heritage boasts G7th’s groundbreaking Adaptive Radius Technology. This allows the capo’s bar rubber to adapt to the radius over the fingerboard on any guitar perfectly, every time, giving maximum tuning stability with the minimum tension required.   “Since initially launching the Heritage back in 2016, we’ve worked through various iterations of the ART design, but we’re absolutely delighted with where we are now. It’s so much more convenient than having to remember which capo matches which guitar radius or messing around with changing inserts. You get convenience and great intonation, all in a stunningly beautiful and lightweight capo!” Noel Sheehan, G7th Managing Director   The Heritage also has inert silicone rubber neck pad and comprehensive side protection to avoid metal to wood contact on your guitar neck and is designed to safeguard the tone of your beloved instrument. It can also store behind the nut on your instrument between songs for quick and easy access.   Available in both standard and wides widths for guitars and banjos, all Heritage capos have several engraved options available, including stunning Acanthus leaf designs and customized text. Prices from £129, including bespoke branded leather pouch and cleaning cloth, all supplied in a presentation case.   In addition, the two guitar models (standard and wide widths) are also now available in 18kt Gold finish in extremely limited numbers, and exclusively from the G7th Custom Shop.   Find out more at www.G7th.com/Heritage

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Kenny Rogers

Kenny Rogers playing final UK concert

GRAMMY award-winning superstar and Country Music Hall of Fame member, Kenny Rogers, has announced that his final UK concert will be at LIVEWIRE Festival 2018 in Blackpool on Saturday August 25th, 2018, with special guest, multi-GRAMMY award winning songwriter, Linda Davis. For his only UK date in 2018 the enduring country and pop icon will headline the Saturday night slot of the festival, which previously announced that BOYZ II Men and Matt Goss will co-headline the Thursday night. The first country artist to consistently sell out arenas, Kenny Rogers has played to millions of fans around the world, performing songs from his long list of hits which comprise 24 Number Ones including “The Gambler,” “Lucille,” “Coward of the County,” “Lady,” “Islands in the Stream,” “She Believes In Me,” “We’ve Got Tonight,” “Daytime Friends,” “Through The Years,” “You Decorated My Life,” and “Buy Me A Rose.” Kenny has sold more than 120 million albums worldwide, making him one of the Top Ten Best Selling Male Solo Artists of All Time, according to the RIAA. The singer has won many awards for his music and charity work, including three GRAMMY Awards, 19 American Music Awards, 11 People’s Choice Awards, eight Academy of Country Music Awards and six Country Music Association Awards, including the CMA Lifetime Achievement Award in 2013. Labelled a ‘song stylist’, Linda Davis’ unique ability to interpret a song has made her one of Nashville’s favourite vocalists. She quickly gained a legion of friends and fans in the music industry, one being superstar Reba McEntire. Their mutual respect led them into the studio together where they recorded a duet entitled ‘Does He Love You’ that went on to become a #1 hit and earn both artists several awards, including a Grammy for Best Country Vocal Collaboration. Speaking about Linda, Kenny says, “In this business, there are people who can sing and there are singers. Linda Davis is absolutely one of the best singers in the business”. LIVEWIRE Festival is now in its second year.

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Nashville Live

NASHVILLE LIVE – Experience an authentic night of country at the Grand Ole Opry in Nashville, Tennessee

Straight from Music City, U.S.A, the American country music spectacular Nashville Live is set for its premiere tour. Transporting Scottish audiences right into the heart of downtown Nashville, Nashville Live will take spectators on a journey through the country music history books with some of its biggest stars.   Featuring music from classic artists such as Johnny Cash, Willie Nelson and Dolly Parton; to more recent performers such as like Garth Brooks and the Dixie Chicks, Nashville Live is a celebration of the legends of country music, and the stories behind the hits.   In the style of an evening at Nashville’s Grand Ole Opry, Nashville Live will feature four of the top country music acts stepping up alongside the live house band to perform. Complete with a Grand Ole Opry Announcer to reveal the hidden histories of country music, audiences can sing and dance to a mixture of classic solos, stellar duets and fantasy group harmonies.   With Musical Direction by Luke Thomas, British Country Music Association ‘Musician of the Year’ (2017), Nashville Live follows in the traditions of Tennessee to recreate a truthful evening straight out of Nashville.   The performers include:   Edinburgh-born Robbie Durham, who starred as Johnny Cash in the UK Tour of Million Dollar Quartet, plays Johnny Cash, Hank Williams and Kenny Rogers.   Chris Grahamson, whose stage credits include Billy Elliot (West End) and Charlie and the Chocolate Factory (West End), plays the announcer, Willie Nelson and Garth Brooks.   Lisa Wright, whose stage credits include Sunny Afternoon (West End), plays Dolly Parton and Tammy Wynette.   Helena Gullen, whose stage credits include the hit musical Once in the West End, plays Patsy Cline and Loretta Lynn.   www.MapleTreeEntertainment.com   6 June                                                                                                   Box Office: 0131 228 1155 Edinburgh, Usher Hall                                                                     Website: www.usherhall.co.uk   7 June                                                                                                   Box Office: 0141 353 8000 Glasgow, Glasgow Royal Concert Hall                                       Website: www.glasgowconcerthalls.com   8 June                                                                                                   Box Office: 01463 234 234 Inverness, Eden Court                                                                   Website: www.eden-court.co.uk   9 June                                                                                                   Box Office: 01382 223530 Dundee, Dundee Rep Theatre                                                    Website: www.dundeerep.co.uk   10 June                                                                                                Box Office: 01241 435800 Arbroath, Webster Theatre                                                         Website: www.webstertheatre.co.uk   11 June                                                                                                 Box Office: 01224 641122 Aberdeen, His Majesty’s Theatre                                              Website: www.aberdeenperformingarts.com  

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shane richie

Interview: Shane Richie – The Gambler

The most unexpected release of 2017? A Shane Richie country album. Country Music meets the all-round entertainer to find out how he’s apparently the bridge between Nik Kershaw and Willie Nelson. It’s hard being Shane Richie. We know this because he’s telling us. At Warner Music’s offices in London, the actor/singer/all-round entertainer is railing against critics who are already having a right go at him for recording an album. But we’re here to listen anyway, as it’s a country album. That’s right. A Country Soul by Shane Richie is out on 10 November. Richie’s previous forays into the charts may have included a Wham! Cover [I’m Your Man, for 2003’s Children In Need] and he’s long been gigging with his own band for fun, but this third album is, he says, what he’s always wanted to do. But first, Richie’s determined to justify why he should be singing at all. “I’ve been in bands since I was 16!” he begins with barely any prompting. “So when I see these other TV presenters, personalities, whatever doing albums, I’m like; ‘Oh, for f***’s sake!’ Nick Knowles… Jason Manford… Anton du Beke… Bradley Walsh is an old mate of mine, so that’s alright, but the difference is: I do this for a living. It’s not a hobby. People are cynical? I get it! But I will go on shows and sing. I’m not sure Anton du Beke will! I’ve set-up in fields, I’ve got changed in ****in’ toilets and the back of a van, I’ve played working men’s clubs, all that.” Shane Richie likes to swear. From here on in, you can assume Shane’s swearing regularly… we’ve just edited a lot of it out. But he’s very likeable with it, and is almost bouncing off the sofa with excitement of talking to a “proper” music publication. (“Put me on the cover! Shania… then Shane. You know you want to, it’s perfect!”) Counter to that puppy-dog enthusiasm, it’s understandable that Richie is also somewhat defensive. Many people balk at the notion of actors singing, or singers acting for that matter, but in an age when 2016’s biggest-selling male debut album in the UK was by the aforementioned Bradley Walsh, who the flip knows what’s what anymore? As we write, the No.1 single on the UK iTunes country chart is High Heeled Shoes by Megan McKenna, once of reality TV show /The Only Way Is Essex and recently the focus of her own make-it-in-Nashville documentary There’s Something About Megan. And, to be fair, McKenna can sing. So can Shane Richie. He started in showbusiness (note: he has no problem with the term “all-round entertainer”) as a Pontins Bluecoat, and has done comedy, TV gameshows, West End musicals (notably Grease), and “serious” roles (the fabled/maligned Alfie Moon in EastEnders) along the way. But he says he’s long-wanted to make a country album. And, putting his sizeable money where his sizeable mouth is, he went away and self-funded a whole heap of recording sessions. “I was going round record companies, and they liked the idea of me doing an album,” he says. “But it was all: ‘How about you sing some Bobby Darin?’ I am not singing Bobby Darin. ‘How about a big band album? Songs from musicals?’ Oh, for ****’s sake! No! “I turned up here at Warners and I told them: ‘I love Pat Green’s Wave On Wave: I want to do a version of that. ‘They literally did not know who I was talking about. Do you even know who I’m talking about?” he laughs. If you didn’t know, Wave On Wave was a Billboard country No. 3 in 2003, Green’s only significant hit. We had to check. And Warners were impressed enough to back him. “The greatest thing? Everyone here [Warners] thought Wave On Wave is an original song of mine because no-one has heard of Pat Green in the UK! It might be the same with Heartache On The Dancefloor by Jon Pardi. I love Jon Pardi! I’ve sent him my version.” Smashin’ It This is where things have got proper strange, you might say. Richie’s seemingly more effusive about country music than many of the “proper” artists you’ll come across. He was hanging out at October’s Country Music Week like a pro (“Drake White was amazing!”), can’t wait to see Midland (Drinkin’ Problem, what a song that is!”) and shoots off on tangents of new bands and songs he loves. (Old Dominion, Lady Antebellum, Thomas Rhett, Dan + Shay and Little Big Town also get a big Richie thumbs up.) “I’m from an Irish family, so I love folk music, country music, the first song I ever sung was Black Velvet Band by The Dubliners when I was eight. I was with Drake White the other night and told him, ‘Man, I love your Irish music! You’ve only got country music because of Ireland.’ He laughed about it.” Predictably then, A Country Soul is not a “trad” album. Richie says his parents constantly listened to Jim Reeves, Kenny Rogers and (the only one of these he really liked) Glen Campbell, but there was never any danger of him going “old school”. “Loads of people were chipping in, saying ‘You should do Leavin’ On A Jet Plane or Don’t It Make My Brown Eyes Blue’ [he grimaces]. I’ve got nothing against those songs, lovely, but my heart wouldn’t have been in it. It would have been the easiest thing for me to sing some Kenny Rogers… but I’m taking more of a gamble. I could have done a Glen Campbell song – what, just ’cos he’s dead? Nah. Chris Stapleton singing with Justin Timberlake – that’s more where my head’s at. What I love about new country, if you want to call it that, is that it just draws on so much. What makes it country? Accordion, fiddle, steel guitar! I don’t really care about the labels. I was playing Keith Urban’s The Fighter the other day. My kids love/ that

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