16 February 2018

Nashville Live

NASHVILLE LIVE – Experience an authentic night of country at the Grand Ole Opry in Nashville, Tennessee

Straight from Music City, U.S.A, the American country music spectacular Nashville Live is set for its premiere tour. Transporting Scottish audiences right into the heart of downtown Nashville, Nashville Live will take spectators on a journey through the country music history books with some of its biggest stars.   Featuring music from classic artists such as Johnny Cash, Willie Nelson and Dolly Parton; to more recent performers such as like Garth Brooks and the Dixie Chicks, Nashville Live is a celebration of the legends of country music, and the stories behind the hits.   In the style of an evening at Nashville’s Grand Ole Opry, Nashville Live will feature four of the top country music acts stepping up alongside the live house band to perform. Complete with a Grand Ole Opry Announcer to reveal the hidden histories of country music, audiences can sing and dance to a mixture of classic solos, stellar duets and fantasy group harmonies.   With Musical Direction by Luke Thomas, British Country Music Association ‘Musician of the Year’ (2017), Nashville Live follows in the traditions of Tennessee to recreate a truthful evening straight out of Nashville.   The performers include:   Edinburgh-born Robbie Durham, who starred as Johnny Cash in the UK Tour of Million Dollar Quartet, plays Johnny Cash, Hank Williams and Kenny Rogers.   Chris Grahamson, whose stage credits include Billy Elliot (West End) and Charlie and the Chocolate Factory (West End), plays the announcer, Willie Nelson and Garth Brooks.   Lisa Wright, whose stage credits include Sunny Afternoon (West End), plays Dolly Parton and Tammy Wynette.   Helena Gullen, whose stage credits include the hit musical Once in the West End, plays Patsy Cline and Loretta Lynn.   www.MapleTreeEntertainment.com   6 June                                                                                                   Box Office: 0131 228 1155 Edinburgh, Usher Hall                                                                     Website: www.usherhall.co.uk   7 June                                                                                                   Box Office: 0141 353 8000 Glasgow, Glasgow Royal Concert Hall                                       Website: www.glasgowconcerthalls.com   8 June                                                                                                   Box Office: 01463 234 234 Inverness, Eden Court                                                                   Website: www.eden-court.co.uk   9 June                                                                                                   Box Office: 01382 223530 Dundee, Dundee Rep Theatre                                                    Website: www.dundeerep.co.uk   10 June                                                                                                Box Office: 01241 435800 Arbroath, Webster Theatre                                                         Website: www.webstertheatre.co.uk   11 June                                                                                                 Box Office: 01224 641122 Aberdeen, His Majesty’s Theatre                                              Website: www.aberdeenperformingarts.com  

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shane richie

Interview: Shane Richie – The Gambler

The most unexpected release of 2017? A Shane Richie country album. Country Music meets the all-round entertainer to find out how he’s apparently the bridge between Nik Kershaw and Willie Nelson. It’s hard being Shane Richie. We know this because he’s telling us. At Warner Music’s offices in London, the actor/singer/all-round entertainer is railing against critics who are already having a right go at him for recording an album. But we’re here to listen anyway, as it’s a country album. That’s right. A Country Soul by Shane Richie is out on 10 November. Richie’s previous forays into the charts may have included a Wham! Cover [I’m Your Man, for 2003’s Children In Need] and he’s long been gigging with his own band for fun, but this third album is, he says, what he’s always wanted to do. But first, Richie’s determined to justify why he should be singing at all. “I’ve been in bands since I was 16!” he begins with barely any prompting. “So when I see these other TV presenters, personalities, whatever doing albums, I’m like; ‘Oh, for f***’s sake!’ Nick Knowles… Jason Manford… Anton du Beke… Bradley Walsh is an old mate of mine, so that’s alright, but the difference is: I do this for a living. It’s not a hobby. People are cynical? I get it! But I will go on shows and sing. I’m not sure Anton du Beke will! I’ve set-up in fields, I’ve got changed in ****in’ toilets and the back of a van, I’ve played working men’s clubs, all that.” Shane Richie likes to swear. From here on in, you can assume Shane’s swearing regularly… we’ve just edited a lot of it out. But he’s very likeable with it, and is almost bouncing off the sofa with excitement of talking to a “proper” music publication. (“Put me on the cover! Shania… then Shane. You know you want to, it’s perfect!”) Counter to that puppy-dog enthusiasm, it’s understandable that Richie is also somewhat defensive. Many people balk at the notion of actors singing, or singers acting for that matter, but in an age when 2016’s biggest-selling male debut album in the UK was by the aforementioned Bradley Walsh, who the flip knows what’s what anymore? As we write, the No.1 single on the UK iTunes country chart is High Heeled Shoes by Megan McKenna, once of reality TV show /The Only Way Is Essex and recently the focus of her own make-it-in-Nashville documentary There’s Something About Megan. And, to be fair, McKenna can sing. So can Shane Richie. He started in showbusiness (note: he has no problem with the term “all-round entertainer”) as a Pontins Bluecoat, and has done comedy, TV gameshows, West End musicals (notably Grease), and “serious” roles (the fabled/maligned Alfie Moon in EastEnders) along the way. But he says he’s long-wanted to make a country album. And, putting his sizeable money where his sizeable mouth is, he went away and self-funded a whole heap of recording sessions. “I was going round record companies, and they liked the idea of me doing an album,” he says. “But it was all: ‘How about you sing some Bobby Darin?’ I am not singing Bobby Darin. ‘How about a big band album? Songs from musicals?’ Oh, for ****’s sake! No! “I turned up here at Warners and I told them: ‘I love Pat Green’s Wave On Wave: I want to do a version of that. ‘They literally did not know who I was talking about. Do you even know who I’m talking about?” he laughs. If you didn’t know, Wave On Wave was a Billboard country No. 3 in 2003, Green’s only significant hit. We had to check. And Warners were impressed enough to back him. “The greatest thing? Everyone here [Warners] thought Wave On Wave is an original song of mine because no-one has heard of Pat Green in the UK! It might be the same with Heartache On The Dancefloor by Jon Pardi. I love Jon Pardi! I’ve sent him my version.” Smashin’ It This is where things have got proper strange, you might say. Richie’s seemingly more effusive about country music than many of the “proper” artists you’ll come across. He was hanging out at October’s Country Music Week like a pro (“Drake White was amazing!”), can’t wait to see Midland (Drinkin’ Problem, what a song that is!”) and shoots off on tangents of new bands and songs he loves. (Old Dominion, Lady Antebellum, Thomas Rhett, Dan + Shay and Little Big Town also get a big Richie thumbs up.) “I’m from an Irish family, so I love folk music, country music, the first song I ever sung was Black Velvet Band by The Dubliners when I was eight. I was with Drake White the other night and told him, ‘Man, I love your Irish music! You’ve only got country music because of Ireland.’ He laughed about it.” Predictably then, A Country Soul is not a “trad” album. Richie says his parents constantly listened to Jim Reeves, Kenny Rogers and (the only one of these he really liked) Glen Campbell, but there was never any danger of him going “old school”. “Loads of people were chipping in, saying ‘You should do Leavin’ On A Jet Plane or Don’t It Make My Brown Eyes Blue’ [he grimaces]. I’ve got nothing against those songs, lovely, but my heart wouldn’t have been in it. It would have been the easiest thing for me to sing some Kenny Rogers… but I’m taking more of a gamble. I could have done a Glen Campbell song – what, just ’cos he’s dead? Nah. Chris Stapleton singing with Justin Timberlake – that’s more where my head’s at. What I love about new country, if you want to call it that, is that it just draws on so much. What makes it country? Accordion, fiddle, steel guitar! I don’t really care about the labels. I was playing Keith Urban’s The Fighter the other day. My kids love/ that

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