2017

Unlike some others, Chris Shiflett proves he's not a Pretender

Fresh from headlining Glastonbury with the Foo Fighters in June, the guitarist came back in the UK to tour his excellent new album, ‘West Coast Towns’, and spoke to Peter Mawson about his country journey. What is it about country music that is inspiring you? It’s quite a change from what you’ve done previously with Foo Fighters, so is it the end of the work with the Foo Fighters and all about country now? I’ve been a big fan of country music for a long time, so I think maybe to people that don’t know me personally it might seem like a strange left turn or something, but really it isn’t for me. You know, beginning with the first Dead Peasants record I did was the first time I started to veer into that sound a little bit, and then I did a record of honky tonk covers a few years ago and then with this one. It’s sort of an evolution I guess. I have always liked country music for a long time and Americana or country and all that stuff, roots music of all kinds and I have always been in love with twangy guitars. So in real terms, this is about your soul coming out in the music. You have realised that you are in an acclaimed musician in your own right, but this seems to me to be a bit more about you the person, Chris the man. Well, this is it. I mean this is the direction that my song writing has gone, so. “It’s always in the back of your mind that you’re going to look like a carpetbagger in some other genre…but to me, this is the music that is near and dearest to my soul” Any real challenges that you’re facing going solo with? Well, I mean the challenge is always…you are sort of starting; it is like starting over in a way. You are going out and playing songs that people don’t know and you are playing in little venues and stuff. It’s super exciting, I mean that’s the fun of it – to go out and try to win people over and just go out and have some fun, you know? It’s a very different experience, but it’s great, I love it. And the sound is quite different, you’re livening things up a bit. I note that it has been described as a rowdy sort of country sound. How do you feel about that? Are you trying to put a different twinge onto what we might call country? I don’t think that my record is a straight country record. I think it really depends on your perspective. Some people, people that come from the rock and roll world think that it’s a country record and then people coming from country music think it’s a cow punk record. Who knows, I don’t know. Country is a huge influence, but it’s equal parts rock and roll and country and whatever else. It’s just sort of a mix of different things that I like. You know, when I am writing or recording, I’m never setting out to do one thing or another. It’s just what happens…happens. But you know, the minute you stick a pedal steel on something, of course people are that conscious of the idea of country music, or whatever. Whatever. At the end of the day, it doesn’t really matter to me how people… I was going to say it doesn’t sound to me like you are a man that worries about being pigeonholed too much. No, not too much. You’ve had a really positive reaction to the West Coast Town album. How’re you feeling about that? It’s obviously good news for you. As I say, it’s a strong reaction. It must be quite… Yeah it’s great. I really put more work into writing these songs and recording them than probably any solo record that I’ve ever made. I felt like when I finished this record, it’s the most proud I’ve ever been of any of the solo records that I’ve done, and it is great to get some good feedback from people on it. You’re certainly achieving that. Let’s just talk about the style and the melodies. They’re very different to what you’ve been known to produce. Can we expect to see more of that? What is the vibe that is coming through what you are writing now? Are we seeing this sort of continual shift? I would imagine yeah, when I make another solo record I’ll probably continue along the same vein, but I will have to see when the time comes. Who knows, who knows what it will sound like, but this is… It sounds like you’re a man who is delivering what you’ve found out about yourself through music, do you know where I am coming from with that? Like, lyrically I always write from my own life experience. On this record, I tried to sort of craft the songs in more a sort of storytelling style, I think that that’s the biggest influence of country music on me as a songwriter. Country songs tend to be more straightforward story telling than rock and roll, so that was definitely a shift. What about where you’re going, and your aspirations over the next few years? Clearly you’re a man on a path here, so when can we expect more of what’s coming up for us? Well, the next thing I want to do…I mean I’m over here. I did the show last night at the 100 Club and I’m playing tonight at Water Rats, and I’m just doing these shows solo. Just an acoustic guitar, so I would love to get over here with my band and play these songs with the full band and me. Hopefully sometime later in the year I’ll be able to get over here and do that. That would be cool. And plans for more recording? Have you got lots that

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Dolly Parton

Dolly Parton to release new album for Imagination Library

Dolly Parton to release new album for Imagination Library World renowned entertainer Dolly Parton announced the release of I Believe In You, her first album written and recorded for kids and those young at heart. A digital release of the new album on Dolly Records/RCA Nashville will be available September 29, whereas the physical album will street worldwide on October 13. All 14 tracks on I Believe In You were written and performed by Dolly Parton. “My first album was released 50 years ago and it’s been an amazing 50 years since then. I am very excited that now I’m coming out with my first children’s album in all of those 50 years. I’m proudest of all that all of the proceeds from this CD will go to the Imagination Library,” Dolly said. “It’s been 20 years since the Imagination Library was launched. We’ve seen 100million books get into the hands of children and hopefully there will be many more.” Since its beginning in 1996 in Dolly’s hometown of Sevierville, Tennessee, the Imagination Library has expanded into four countries serving more than one-million children by providing a brand new, age-appropriate book each month. In North America, every child’s first book is the classic Little Engine that Could. Founded in 1995, Dolly Parton’s Imagination Library is a book gifting organization that has, to date, mailed more than 100 million books to children in Australia, Belize, Canada, United Kingdom and the United States. Each month, the program currently mails more than one million specially selected, high-quality, age-appropriate books to registered children from birth until they start Kindergarten in participating communities. Dolly envisioned creating a lifelong love of reading in children, preparing them for school and inspiring them to dream. Recent studies suggest participation in the Imagination Library is positively and significantly associated with higher measures of early language and math development. Penguin Random House is the exclusive publisher for Dolly Parton’s Imagination Library. Dolly Parton still remains one of the most honoured female country performer of all time. Achieving 25 RIAA certified gold, platinum and multi-platinum awards, she has had 25 songs reach #1 on the Billboard Country charts, a record for a female artist. She has 41 career top 10 country albums, a record for any artist, and she has 110 career-charted singles over the past 40 years.

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Stu Larsen

Stu Larsen's playful new video depicts misfits & vagabonds

Stu Larsen’s new video depicts misfits & vagabonds… Australian singer/songwriter Stu Larsen’s latest video shows misfits and vagabonds.  Taken from ‘Resolute’,  Larsen’s latest album, ‘Chicago song’ illustrates a number of different personalities. Pulled from the song’s lyrics “I’ve been waiting for a partner in crime, to split every dollar and share every dime,” the playful video is chock full of colourful misfits and vagabonds. Watch The song details a different kind of love for Larsen that happened in the city. The song is about a love affair with a 1973 Martin D-35 guitar he purchased a few years back. “She was beautiful. While touring with Nashville’s Adam Burrows, we spent an entire afternoon checking out guitars at Chicago Music Exchange.” Larsen adds, “I started to write the song in the store before I bought the guitar! I’ve never been able to find names that felt right for my guitars. Eventually, I decided to name them after the cities they were purchased in, therefore, she will be known forevermore as ‘Chicago.’”  He also has guitars named Hamburg, St. Paul and Melbourne. Larsen recorded Resolute with impromptu voice memos on his phone, creating a primitive framework for the songs. As Larsen combed through hundreds of files, he tucked himself away in different locations to write the demos – a cottage in Scotland, an apartment in Spain and an army bunker in Australia. Long-time friend, producer and songwriter Luke Thompson eventually joined him at Mike Rosenberg’s (aka Passenger) studio in Brighton to finish up the demos. Stu Larsen will be touring the UK later this year in support of Resolute;  see www.stularsen.com/tour for a list of European & US dates.

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Glen Campbell

Legendary Country icon Glen Campbell dies aged 81

Glen Campbell a legendary Country icon dies aged 81 Glen Campbell, the legendary Country artist behind hits including ‘Rhinestone Cowboy’ and “Country Boy”, has died following a lengthy battle with Alzheimer’s disease. A man of astonishing talent and persona, the singer and musician is well known for his extraordinary musical abilities, which one year saw him outsell the Beetles in record numbers. In a statement issued today, the family of the iconic singer/musician, said: “It is with the heaviest of hearts that we announce the passing of our beloved husband, father, grandfather, and legendary singer and guitarist, Glen Travis Campbell, at the age of 81, following his long and courageous battle with Alzheimer’s disease.” Campbell’s first epic hit was in 1967 with “By the Time I Get to Phoenix,” which was written by Jimmy Webb. The slow, smooth and sentimental song proved perfect for Campbell’s vocal range, drawing wide attention from audiences. Not long afterwards, ballads such as Galveston came into fruition, reverberating with imagery of war and the memory of a soldier leaving behind his sweetheart. Wichita Lineman – another major hit for Cambell and his first Top 10 – was also the result of the musical match-made in heaven between Campbell and Webb, with Campbell utilising his distinctive vocals. In 1968, Campbell won Grammy Awards in both the Country and Pop music categories, including Best Country & Western Solo Vocal Performance, Male, Best Country & Western Song and Best Vocal Performance, Male. It marked a clear distinction for Campbell’s musical skill: his unique ability to merge aspects of Pop and Country, blending characteristics of the two genres into a seamless blend, with each melody complimenting the two categories. It is one of the factors that led to the  extraordinary success of ‘Wichita Lineman’, considered a benchmark in Country music history.   In the middle of 1968, Campbell guest hosted the Smothers Brothers Comedy Hour, which was met with such  an eager response from audiences that between 1969 and 1972, a show designed for the start came into existence in the form of theGlen Campbell Goodtime Hour variety show. Artists and musicians from Ray Charles and Johnny Cash to Linda Ronstadt came to perform on the show, which presented a platform for a number of other ascending County singers such as Willie Nelson. Campbell first began playing guitar as a school boy and is reported to have been obsessed with jazz guitarist Django Reinhardt. At 14 years old, the aspiring musician dropped out of school and set off for Wyoming, where he and an uncle began playing gigs in remote bars. By 1962, he had already earned a place in the Wrecking Crew, formed of a group of session pros. In 1963 he appeared on 586 cuts, including Elvis Presley’s “Viva Las Vegas,” and the Righteous Brothers’ “You’ve Lost That Lovin’ Feeling.” Amongst Campbell’s other major accomplishments was replacing Brian Wilson on bass in the Beach Boys in 1964. A year afterwards, Wilson famously stated that “The people who are advocating burning draft cards should be hung.” Five years later, Campbell co-starred in True Grit at the recommendation of John Wayne. Campbell’s career was rich in highs but was not without low points; his first feature film, 1970’s Norwood proved to be a disaster, whilst his show was also cancelled. But Campbell proved his commitment to doing what he was best at and emerged undefeated when in 1975 Rhinestone Cowboy emerged. It was followed by other Country hits, such as “Country Boy (You Got Your Feet in L.A.”) and “Southern Nights” and in the Nineties he opened the Glen Campbell Goodtime Theatre in Missouri. Campbell was married four times, and has eight children, including five sons and three daughters. In the early 1980s Campbell made headlines when it was revealed that the artist was in a  relationship with country singer Tanya Tucker – 22 years his junior. Battling alcohol and cocaine addiction at the time, in 1982, Campbell instead married Kimberly Woollen who had helped the star get his life back on track. Nonetheless, a run-in with the law came in 2003 when Campbell was jailed for 10 days for extreme drunken driving and leaving the scene of an accident. Glen Campbell’s career spanned more than  sixty years, during which time he sold more than 45 million records worldwide. Diagnosed in 2011 with Alzheimer’s, the singer went onto play 151 shows with the care and support of his devoted family, before retiring from music as a direct result of the disease. A film-crew documented his final 2014 tour, resulting in the award winning ‘I’ll Be Me’. It was a decision that made President Clinton claim that it would be his role in bringing awareness to the condition that would keep him enshrined in peoples’ memories, even more so than his music. The much-loved artist spent his final years in an assisted living facility, where friends and relatives would play him his own songs. Campbell’s final original music album Ghost on the Canvas  consisted of guest stars Billy Corgan, Paul Westerberg and Jakob Dylan. Early this year, Adiós – his final studio album –  was released, made up predominantly of cover songs by Bob Dylan, Harry Nilsson and others, all recorded after his Goodbye Tour. Writing on Twitter, Cheryl  Crowe, said of Cambell’s death:  “Huge loss in the world of music today. Rest In Peace, Glen Campbell. Speaking to Fox News, Rock ‘n’ Roll star Alice Cooper named Campbell one of the “Most unique Guys” and a “premier guitar player in Rock and Country”. Campbell will forever be remembered in Country music as a man of talent, dedication and intrigue – a gifted individual who not only helped shape the genre, but brought to audiences’ attention the talents of multiple other noteworthy Country musicians. His music and legacy will live on.

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First country music hit traced to Atlanta, Georgia

The first-ever country music hit may have been traced back to a building in Atlanta, Georgia, according to reports. Local architect, Kyle Kessler is said to have made the discovery at 152 Nassau Street when he found an article from the 1920s in the Atlanta Independent. Speaking to wabe.org, Kesseler said: “They had a front-page article saying that Okeh Records was coming to town and going to set up a recording laboratory at this particular address on Nassau Street.” According to the website, the sessions included black blues singers like Fannie May Goosby and Lucille Bogan. And also a white fiddler, Fiddlin’ John Carson, who recorded the “Little Old Cabin In The Lane.” The Atlanta City Council still has to approve the building’s designation, reports said. At a recent public hearing, the company buying the property said it had other plans for the land.

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Country act Cactus Blossoms make Twin Peaks appearance

Minneapolis country-rockabilly act Cactus Blossoms have been featured in David Lynch’s surreal drama, Twin Peaks. The episode which aired on May 28 in the US ended with the smartly-attired and stony looking brothers performing their song Mississippi at the Bang Bang Bar. It also is reported that Twin Peaks’ music director Angelo Badalamenti is a fan of the band’s material. The band is headed up by Page Burkum and his younger brother Jack Torrey (last name a stage name) Speaking to The Calgary Herald about how Lynch and Badlamenti came to discover the band, Burkham says: “I need to ask them about that more. I’m curious myself about how they discovered us. “For us, it was mostly just real exciting to be a part of something that we were fans of and something that will probably be around and watched for a while,” he added. “Just on a personal level, we were really excited about it. The one impact I can see is that we have had some folks at every show we’ve played since then and I know that there are some people who found us that way and came out to our shows. It’s cool to see that happening.” “A lot of people are surprised by the type of music we play, being from Minneapolis,” Burkum said. “I don’t really know what kind of music we should play if we’re from Minneapolis. What would be Minneapolis music? I guess if we could make some weird amalgam of Prince and the Replacements and Bob Dylan, maybe that would be Minneapolis music.” The Cactus Blossoms play the Calgary Folk Music Festival on Friday, Saturday and Sunday at Prince’s Island Park, Calgary, Alberta, Canada. Visit calgaryfolkfest.com.

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Billy Ray Cyrus

Billy Ray Cyrus Celebrates '25 Achy Breaky Years'

Billy Ray Cyrus Celebrates ’25 Achy Breaky Years’ Internationally renowned superstar Billy Ray Cyrus is celebrating ‘25 Achy Breaky Years’ this weekend on SiriusXM’s Prime Country Ch. 58. Hosted by Billy Ray Cyrus’ longtime friend Storme Warren, Cyrus opens up about his journey from Flatwoods, Kentucky to achieving worldwide success as a singer, songwriter, actor and producer. The ‘25 Achy Breaky Years’ special also includes an exclusive acoustic performance.   SiriusXM’s Prime Country Ch. 58 July 28 – 6 pm EST July 29 – 11 am EST July 30 – 12 am (midnight) EST July 30 – 9 pm EST Aug. 01 – 12 pm EST Aug. 03 – 3 pm EST In celebration of the 25th anniversary of “Achy Breaky Heart,” which hit No. 1 on Hot Country Songs and peaked at No. 4 on the Billboard Hot 100, Cyrus re-recorded and released a Muscle Shoals edition on iTunes. “When the song was released 25 years ago, the world was very divided. Perhaps 25 years later it might be even more divided so through the magic of a little song, people can come together for just a moment to dance and sing and celebrate life, that’s all that matters,” Cyrus said. Recently, Cyrus has been all over television, including appearances on “LIVE with Kelly and Ryan,” “The Wendy Williams Show,” and many more to promote CMT’s hit comedy “Still The King,” airing Tuesdays at 10/9c. “Still The King” averaged 3 million weekly viewers during season one and in season two, Vernon (Cyrus) is fresh out of jail and determined to reclaim his position as a country music superstar while being present in the lives of his daughter Charlotte (Madison Iseman) and her mother Debbie (Joey Lauren Adams). Faced with the possibility of being a father to Debbie’s unborn child, Vernon must balance his desires for fame and family. BILLY RAY CYRUS ON TOUR: July 28 North Star Casino Resort – Bowler, Wis. July 29 St. Croix Casino – Turtle Lake, Wis. Aug. 03 Knoxville Civic Auditorium – Knoxville, Tenn. Aug. 04 The Brown Theatre – Louisville, Ky. Aug. 05 Victory Theater – Evansville, Ind. Aug. 12 Edgewater Hotel Casino Resort – Laughlin, Nev. Aug. 19 Mill Town Music Hall – Bremen, Ga. Sept. 09 Hard Rock Live – Northfield, Ohio Sept. 22 Lancaster Performing Arts Center – Lancaster, Calif.  Oct. 21 Crystal Grand Theatre – Wisconsin Dells, Wis.

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Casey James

Not heard Casey James' 'Strip It Down'?

 Casey James returns to his Texas Blues Roots on his latest album Strip It Down… The Singer/Guitarist Casey James has only recently released his latest album, Strip It Dow, which was produced by Grammy-Winner Tom Hambridge & Features Guest Duet with Delbert McClinton.  “All I want to do is play music,” says singer/guitarist, Casey James. “Stripping it back to just me making a record of music that I love was a huge stepping stone in my life.” It’s titled Strip It Down because it’s exactly what Casey James did – shed off the layers of stylised artistic clothing that he’d been given in those other public ventures to find the real artist underneath, a guy with a convincing, smokey vocal quality and a burning, lyrical skill with a guitar. Recorded at Sound Stage Studio and The Switchyard in Nashville, Strip It Down is a glorious return to the blues and roots music Casey James grew up on in his native Texas, and was a major influence in both his singing and guitar playing. “This music has been a lifetime in the making for me,” Casey says. “If you listen close enough, you can hear my heartbeat; the thing that keeps me alive. It’s all here. This album has been a healing process for me. To truly share my heart and passion with the world in an honest way is the best feeling I’ve ever felt.” Released June 9, Strip It Down sees a return by James who is familiar to many as a finalist on season 9 of “American Idol,” – and identifiable still more as a country artist who notched a Top 15 single with “Crying on a Suitcase.” In Strip It Down, James collected 13 songs he’d written or co-written (plus a soulful take on Little Willie’s John’s “Need Your Love So Bad”), holed up in a Nashville studio with a trim, crackerjack band and hammered out the bulk of the album in a scant four days.  “There are no tricks here; no auto-tune, no grid, no Midi adjustments,” he proclaims proudly.  Strip It Down folds-in a variety of styles, all connected directly to that blues base. Casey announces his roots entry with the dramatic blues/rock of the opening track, “All I Need.” Then, Grammy-winner Delbert McClinton joins him on a raucous bit of Texas roadhouse swagger titled “Bulletproof.” From there, the album courses through the light country swing of “Stupid Crazy” (joined by Bonnie Bishop on vocals), the spacious old-school R&B of “Different Kind of Love,” and the gutbucket closer “Fight You for the Blues.” Growing up in Cool, Texas, a dusty town 45 miles west of Fort Worth, his destiny was laid out for James at the age of 13, when he got his first guitar. It became a constant companion, a channel for his emotions, as the six strings lay easy in his hands. “I got pretty proficient fairly quickly, but mostly because I couldn’t put it down,” James remembers. “I don’t ever remember a time where practice felt like practice.” It was that natural. James formed a band and hit the Texas club circuit, a collection of venues just big enough that it can keep a musician going for years. The band was in such high demand that one year he played a staggering 364 days. Clearly, he was talented – and more than ready to work. He mixed a few originals in with cover songs, played a mean guitar and sang with conviction. But he was persuaded by a family member that a run on “American Idol” might put him on better financial ground.  “I was at the best place in my life,” he recalls. “I was gigging every day. But I was struggling to try and make enough money to make a real record. Had I not done ‘Idol,’ I probably would be still struggling, so I consider it a blessing.” The next four years were a whirlwind, as James threw himself into promotion, meeting radio programmers, writing with some of Nashville’s best composers and opening for the likes of Taylor Swift, Alan Jackson and Sugarland. He experienced surreal stardom, but that came with music that merely hinted at the real Casey James. When he got off the ride, he found himself in a different place than he’d started.  The soulful “Supernatural,” the breezy ballad “Stupid Crazy” and the honking “I Got to Go” all came early in the process. He wrote them on his own, and he realized the time he’d invested in Music City had brought him to another level in his craft. James subsequently booked a series of writing appointments with some of Nashville’s finest, including one with Brice Long and Terry McBride, co-writers of James’ first single, “Let’s Don’t Call It a Night.” At the end of their session, they recommended he do some writing with another friend who had a strong affinity for the blues, somebody named “Tom.”  James funded it all through a one-month Kickstarter campaign, asking his fans to invest in the next step on his musical journey. They came through in a big way, delivering more than double his original goal. It served as a reminder that even when his path had taken down difficult roads, he’d made a strong connection with an audience that understood his creative ambitions. “For the longest time, I always played with my eyes closed because music is so personal to me that I felt like I was naked – I’m putting all of everything that I am in every note,” James reflects. “I don’t close my eyes so much anymore because I’ve become more comfortable with being naked, so to speak, in front of people. I became OK with opening my eyes and engaging with people and really experiencing that moment with them.”  To read more on what’s going on in the country music scene, head to https://staging.maverick-country.com/industry-news/ 

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Margo price

Margo Price shows us what she's made of on new EP

Margo Price, the acclaimed US singer/songwriter has officially released her new EP ‘Weakness,’ via Third Man Records. Recorded at Sam Phillips Recording in Memphis, ‘Weakness’ was produced by Grammy-winner Matt Ross-Spang (Jason Isbell, Zac Brown), Alex Munoz, Jeremy Ivey, and Margo herself.   The collection features four new tracks including recent live show juggernaut “Paper Cowboy,” as well as the hard-drinking, country-rock title track, which Zane Lowe premiered yesterday on his Beats1 radio show. ‘Weakness’ is available everywhere now both digitally and physically as two 2-song 45’s. Following the release of her 2016 critically acclaimed debut ‘Midwest Farmer’s Daughter’, Margo has performed on SNL, Fallon, Colbert, Seth Meyers, Conan, Charlie Rose, CBS This Morning, Austin City Limits, and Jools Holland, collaborated with some of her heroes including Jack White, Willie Nelson, Loretta Lynn, and Kris Kristofferson. She has also won the Americana Music Association’s ‘Emerging Artist’ Award, the American Music Prize, and was even given her own display at The Country Music Hall of Fame. Later this year Margo will play dates with Willie Nelson, Chris Stapleton, Eric Church, John Prine, Tim McGraw and Faith Hill and others. For full dates visit http://www.margoprice.com/  To read about more of our news, head to https://staging.maverick-country.com/industry-news/ 

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Josh McGovern

*NEW RELEASE* Check out the brooding tones of Josh McGovern on new Americana track The Devil Below Me

Josh McGovern releases a promising new single The brooding Brighton singer/songwriter Josh McGovern has released his new single The Devil Below Me, a song that spells enchantment and dreaminess – and perhaps even a touch of eeriness!  McGovern has an achingly beautiful voice with deep tones that could even be reminiscent of Nick Cave, Tom Waits and Leonard Cohen – the folk sensibilities are prominent and give way to a feeling of foreboding.  McGovern says, “I was first inspired to write ‘The Devil Below Me’ as a response to change in my life. The song itself is a tale of past conflicts and a study of myself. It is very personal to me, it reflects on my family tree and past mistakes. I wanted to create something that represented the contrast in people’s lives, something people could relate to on a deeper level. The recording process was very special for me, I had the honour of recording at Retreat Studios where Nick Cave recently recorded a large portion of ‘Skeleton Tree’.”  McGovern has received early support from BBC Introducing. His raw energy spells another hit for the UK singer/songwriter, delivering a feel of intimacy. Watch this space! To find out more on what’s going on in the industry, go to https://staging.maverick-country.com/industry-news/

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