6 February 2017

Review: Emily Maguire A BIT OF BLUE

Emily Maguire A BIT OF BLUE Shaktu Records **** Haunting landscapes and imagery rich songs Emily Maguire, the British born singer-songwriter, has had a remarkable journey. Plucked from obscurity in 2007 to support Don McLean at the Royal Albert Hall, she has released 3 albums, written poetry and prose, published a book on the Bi-polar condition and suffered numerous health setbacks and challenges so it is no wonder that her songs aren’t three minute puff pieces about men. Produced by Nigel Butler, (K.D. Lang, Robbie Williams, Will Young), he has helped to transform this set of beautiful, broken images into a series of ethereal songs, linked by the binding narrative of lush orchestration, sparse instrumentation and the dream-like quality of Maguire’s voice. This is no easy listen – this isn’t an album to pop on in the kitchen whilst you make tea. This is one of those rare, wonderful beasts in today’s instant world that has to be loved. Every lyric needs a time and space to breathe, to settle and to be poured over. Melodies are in abundance here but are not necessarily evident on first listen, you won’t get to the end and have one of the songs lodged like an ear-worm in your brain – A BIT OF BLUE is not one of those albums, it’s a grower, it needs nurturing and like everything that is given a chance to flourish it will give back in spades, as long as you allow it to. Despite the fact that some of this album was recorded in Queensland, Australia and some in Ross-on-Wye there is a clear coherence and binding narrative running through the middle of it, linking all the songs together. Maguire’s haunting vocals and the beautiful use of piano and strings produce a lush yet sparse feel to many of the tracks. It is by no means an easy listen but who said music has to always be commercial and consumable? If you prefer your music deep, dark and dramatic, if you want every lyric on every line to have a meaning and not just placed there to advance a melody then A BIT OF BLUE might well be your colour. James Daykin www.emilymaguire.com

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Review: Kate Rusby LIFE IN A PAPER BOAT

Kate Rusby LIFE IN A PAPER BOAT Pure records 4.5 stars Another gem from the award winning Yorkshire folkie Soon to be celebrating 25 years in the folk business, Kate Rusby albums never fail to impress and LIFE IN A PAPER BOAT is up there with the best. Kate’s fragile but hauntingly beautiful vocals are perfectly suited to the mix of self-penned and traditional numbers. Producer husband Damien O’Kane has done a sterling job and there is nothing approaching a sub-standard track on the album. Rusby has surrounded herself with some of the best supporting musicians from the folk world with Dan Tyminski and Ron Block from Alison Krauss’ Union Station guesting on a couple of tracks. Her song writing is as innovative as ever and I really loved the imaginative lyrics on ‘Hunter Moon’ and the two songs with a seafaring theme, ‘The Mermaid’ and of course, the title track. Just one cover, Archie Fisher’s The Witch of Westmorland; a great tale of a witch with amazing healing powers. One bonus track is included; the catchy Big Brave Bill, a ‘Superman’ like character from Barnsley who comes to the rescue on numerous occasions and derives his strength from drinking Yorkshire Tea! The album runs for almost an hour but the quality fare on offer ensures the listener’s attention is never distracted. The beauty of this album is that it should appeal to a diverse audience rather than a strictly folk oriented clientele. John Roffey www.katerusby.com

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