31 October 2016

Brandy Clark releases special version of Hold My Hand with legendary Dwight Yoakam

Four-time GRAMMY nominee Brandy Clark, and 21-time nominated, multiple GRAMMY Award winner, Dwight Yoakam release a recorded version of their highly-regarded duet performance of Clark’s Hold My Hand today. The two teamed up at the 2015 GRAMMY Awards, where Clark was nominated for Best New Artist, for a beautiful performance of the song – then for a recording of the duet after that. The original version of Hold My Hand is off Clark’s debut album, 12 STORIES, which was GRAMMY-nominated for Best New Album the year they performed. Yoakam has been part of well-known collaborations in the past, including his rendition of Same Old Train that featured Clint Black, Joe Diffie, Merle Haggard, Emmylou Harris, Alison Krauss, Patty Loveless, Earl Scruggs and Marty Stuart and earned him a GRAMMY nomination for Best Collaboration with Vocals. Yoakam contributed his unmistakable harmonies on the Hold My Hand recording, and when they got together for a show in Arkansas in August, 2016 they revisited the recording. Ultimately, they decided it was too good not to release.“Dwight added something so special to Hold My Hand both at the GRAMMY performance and then on the track itself,” said Clark. “We had both forgotten about it until we had a show together. In catching up backstage one night we came up with the idea to put it out – for no other reason than we both loved it so much and thought it was a shame to just be ‘sitting on a shelf.’ Music is made to be heard and we definitely wanted this version to be shared.” 

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The Kentucky Headhunters to premiere tracks from new album ON SAFARI on Siriusxm outlaw country Ch. 60

The Kentucky Headhunters are going “On Safari” with former WWE Superstar Hillbilly Jim, as they premiere tracks from their new album this weekend on SiriusXM Outlaw Country Channel 60’s “Hillbilly Jim’s Haunted Hayride.” The special will air Saturday, Oct. 29 at 10 a.m. ET, Sunday, Oct. 30 at 2 p.m. ET and Monday, Oct. 31 at 8 p.m. ET. Long considered “Southern Rock Royalty,” The Kentucky Headhunters continue to live up to the hype with ON SAFARI, which serves as a nod to family and the Southern way of life. A perfect fit for their long-time friend and fellow Kentuckian, Hillbilly Jim, who serves up 200-proof down-home country and southern-fried rock & roll every weekend on SiriusXM Outlaw Country. “It’s always an unbelievable treat to have The Kentucky Headhunters on my show, as our friendship goes back to when we were all young men together,” said Jim “Hillbilly Jim” Morris. “In my opinion not only are they one of the best bands in this country, but in any country, anywhere.”

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REVIEW: Red Moon Road SORROWS AND GLORIES

Red Moon Road SORROWS AND GLORIES Manitoba Film and Music ***** Blissfully beautiful folk that will have you harmonising with your hips swaying. Aptly titled Sorrows and Glories, Red Moon Road return with their third studio album, which was recorded in the aftermath of an accident which saw lead singer Sheena Rattai need to take time out of a life on the road to recover from an accident. The record itself covers the healing period as well as many of the highs the band have experienced in their ever-growing career. Essentially a folk trio that centre their sound on a harmony drive, the real star on Sorrows and Glories is the crisp, clear and emotionally rich vocal of Rattai at the albums centre. While the charming harmonies have echoes of Britain’s finest Americana trio Red Sky July, they appear to be less integral to the finished sound of Red Moon Road. While the trio do mix up vocal duties along the way, with both Daniel Péloquin-Hopfner and Daniel Jordan in fine voice, it is when they deliver gospel driven harmonies to Rattai’s vocal that the spine really tingles. At their most striking, The Lumineers’ flavoured I’ll Bend But I Won’t Break and the powerfully spiritual a capella opener Beauty In Their Broken Bones, Red Moon Band manage to take subject matter that is common to the genre but deliver them with an inspired edge that will etch them for all eternity in your memory. With an ability to make the everyday seem enticing, and a personal story that is truly moving thrown in to mix, Red Moon Road catapult their third studio album into the elite of their genre. This is a record that not just needs to be added in to your collection, but warrants the trio that created it to be awarded a flurry of awards. Jeremy Williams-Chalmers

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